Shia LaBeouf Added to Francis Ford Coppola’s ‘Megalopolis’

Shia LaBeouf in 2019's 'Honey Boy.'

At lot of recent headlines around Shia LaBeouf have not been positive. There have been the ‘Don’t Worry Darling’ exchanges leaked between LaBeouf and director Olivia Wilde, leading to a she-said, Shia-said story about why he left the movie – she claims she fired him; he argues that he left because there wasn’t enough rehearsal time.

Then there’s his mea culpa on both his abusive treatment of ex-girlfriend, musician FKA Twigs and his admission that his based-on-truth tale ‘Honey Boy’ about his younger days and his troubled relationship with his father was not based on so much truth as he claimed.

Still, he’s looking to get his career back on track and scored a big new job. He’ll be one of the leads in Francis Ford Coppola’s ‘Megalopolis’, according to Giant Freakin’ Robot.

The director’s passion project, a hugely ambitious movie he’s been trying to bring to life for 20 years, is crawling towards reality. After a false start or two, he recently locked in Adam Driver, Nathalie Emmanuel, Forest Whittaker, Jon Voight, and Laurence Fishburne for the cast.

Alongside LaBeouf, Coppola has also added the likes of Talia Shire (Coppola’s sister) Jason Schwartzman (Shire’s son), Grace Vanderwaal, Kathryn Hunter and James Remar.

Jason Schwartzman in 1998's 'Rushmore.'

Strict story details are sketchy, but the logline is equally ambitious: The fate of Rome haunts a modern world unable to solve its own social problems in this epic story of political ambition, genius, and conflicting interests. To be a little clearer on that, it’ll focus on political and social wrangling in a giant city (modeled on, or even actually, New York) looking to rebuild after a disaster.

The quest to make this one has consumed Coppola in recent years, and he’s pouring a lot of his own money into making the movie. With a budget in the region of $100 million, it’s a project that has seen backers come and go, but he’s finally setting up a shoot for the fall.

Speaking to Deadline, Coppola outlined why he’s really making this movie. What would make me really happy? It’s not winning a lot of Oscars because I already have a lot and maybe more than I deserve. And it’s not that I make a lot of money, although I think over time it will make a lot of money because anything that the people keep looking at and finding new things, that makes money,” he says.

Coppola adds: “So somewhere down the line, way after I’m gone, all I want is for them to discuss ‘Megalopolis’ and, is the society we’re living in the only one available to us? How can we make it better? Education, mental health? What the movie really is proposing is that utopia is not a place. It’s how can we make everything better? Every year, come up with two, three or four ideas that make it better. I would be smiling in my grave if I thought something like that happened, because people talk about what movies really mean if you give them something.”

‘Megalopolis’ has yet to set a release date. As for LaBeouf, he’ll next be seen in Abel Ferrara’s ‘Padre Pio’, due for its debut at the Venice Film Festival’s Venice Days section.

Director Frances Ford Coppola at the 50th Anniversary of 'The Godfather' event and historic street naming ceremony the Paramount Theater in Hollywood, CA on February 22nd, 2022. Photo by Frazer Harrison/Getty Images for Paramount Pictures.