XAR Obsidian Dream

Inside the famous Pavilion of the São Paulo Art Biennial the young Mayan Edgar Calel is no longer a body an immutability imprisoned by the framework of modern white architecture Very white He thus becomes air multiple ungraspable uncapturable Sharpening words with my eyes he offers us another possibility to reflect upon the existence of beings and their capacity for representation Now that we are facing Calel we need to decalibrate how we locate ourselves in time and space