Untitled Revenant (2002)

In Friedmans earlier work she explored portrait films and dreamscapes Untitled Revenant 2002 combines these explorations Her camera follows a man as he muses over the surroundings years of possessions accumulated around him A figure enters the space but they never share the same space at the same time giving a sense of objects and environment continuing through time during and after owners and occupants Note The home is in Chicago a different art collector from Roberts Place