To My Father

Those were the days when girls were prettier when eyes were in all colours without any colour Whats Different now the camera or the eyes asks Abdel Salam Shehadahs poetic and mesmerizing homage to the studio photographers of the 1950s 70s Set partly in a refugee camp in Rafah this is a remarkable look back at fifty years of Palestinian and Arab history through photographs reportage and the voices of these photographers today