The Painting

The Painting
The Painting intercuts shots of traffic navigating the old-world remnants of downtown Bern, Switzerland, with details from a 15th-century altarpiece, “The Martyrdom of St. Hippolytus”. The Painting intercuts shots of traffic navigating the old-world remnants of downtown Bern, Switzerland, with details from a 15th-century altarpiece, “The Martyrdom of St. Hippolytus”. The painting shows the calm, near-naked saint in a peaceful landscape, a frozen moment before four horses tear his body to pieces while an audience of soigné nobles look on; in the movie’s revised version, Beavers gives it a comparably rarefied psychodramatic jolt, juxtaposing shots of Gregory Markopoulos, bisected by shafts of light, with a torn photo of himself and the recurring image of a shattered windowpane. (J. Hoberman, The Village Voice)

Movie Details

Original Language:English

My Hand Outstretched to the Winged Distance and Sightless Measure

Avant-garde film by Robert Beavers. At first glance, this expression appears like a poetic riddle, but its practical relevance becomes quite obvious for those who see and hear the films. Beavers has worked extensively on re-editing his films to create the larger film cycle "My Hand Outstretched to the Winged Distance and Sightless Measure," a project started in 1968 and finished in 2002.