The Cinema and the Wind and Photography

How should one define the relationship of documentary film to reality Does it aim at authenticity or is it rather an exile of reality a foreign homeland of reality where the prefilmic stripped of its immediacy comes to its own right in the first place Where in its misenscène would be the line drawn to a fictional film if drawing a line would succeed at all These are the kind of questions this film essay on the history and aesthetics of documentary film deals with in its seven chapters