Sucker (1987)

Blood and transcendence are themes that permeate Sucker with its incarnations of religious iconography and sexuality Life and death good and evil are evoked as the incantatory voiceovers and sordid images make reference to communion transfusions bloodbaths bloodlust vampires and the specter of a virus loose in contemporary culture Steeped in paranoia and dread this work describes a subconscious search that is in Ourslers words based on a movie based on a book based on a poem based on a myth which is based on the quest for human immortality