Du Cane describes his cinema as as close as I can get to an immediate transference onto celluloid of my fluxlike process in response to being here now filming Sign is a room film shot entirely in what appears to be the filmmakers studio film cans reels and other cinematographic can sometimes be distinguished amongst the rapid camera movements Du Canes rarely shown films are amongst the most pure and radical of their period Instinctive yet formal structured and organic the physical world is turned into a screenbased labyrinth that is both surface and depth through the retinal rush of incremental superimpositions and delicate cameral control
