Highlights
Ironheart - Official Trailer
Ironheart
Lilo & Stitch - Frog's POV Clip
Lilo & Stitch
Shadow Force - Kerry Washington Exclusive Interview
Shadow Force
Mercy - Chris Pratt with a Gun
Mercy
Black Bag - Cate Blanchett Exclusive Interview
Black Bag
Good Boy - Indy in the Basement
Good Boy
The Fantastic Four: First Steps - Pedro Pascal at Berlin Fan Event
The Fantastic 4: First Steps
Anemone - Daniel Day-Lewis and Ronan Day-Lewis at the New York Film Festival World Premiere
Anemone
The Devil Wears Prada 2 - Title Announcement
The Devil Wears Prada 2
Sarah's Oil - Naya Desir-Johnson as Sarah
Sarah's Oil
The Roses - Benedict Cumberbatch Premiere Interview
The Roses
Barrio Triste - Maluma at the NYFF Screenings
Barrio Triste
Tron: Ares - Teaser Clip
TRON: Ares
Barrio Triste - Esteban Zuluaga, James Clauer, Stillz, Eric Kohn and Adam Robinson at the NYFF Screenings
Barrio Triste
Lilo & Stitch - Noisy Moviegoer Clip
Lilo & Stitch
Mercy - Official Poster
Mercy

Self Song & Death Song (1997)

Self Song & Death Song
NR 4 minOct 22nd, 1997
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SELF SONG documents a body besieged by cancer. The amber glow of flesh suggests both victory and submission to death. Blackness surrounds the image and takes it over altogether. Furthermore, the complex grooves and patterns of the flesh struggle to maintain their focus, suggesting the obscuring and dissolving effects of cancer. In DEATH SONG the film begins with blue hues which suggest the permanent aspect of death to contrast a sequence of overexposed yellow. Within these images are microscopic organisms constantly being 'washed out' by whiteness, which seeks to dissolve the image. In this respect, we might view the purity of whiteness as being 'soiled'. By the end of the film, the image has shifted to the blue screen suggesting a comfortable aspect of death. Yet, this vision is too idyllic in Brakhage's mind, and thus he allows the blueness to bleed from the side of the frame, opening the 'blinds' to the cancerous light. Preserved by the Academy Film Archive in 2016.