Raigyo

A man Masahiro Sugiyama an idol otaku picks up a monster fish and starts to raise it at home At the same time he moves in with a runaway girl Yoko Oguchi and the friction between them becomes more intense The film was made at the end of the eighties in response to the sense of stagnation in the provincial cities Its a film with a darker side than my previous film Love on the Street It also has the strongest theatrical colour of all the films so far but it shows the bankruptcy in a different way to Street Corner of Love