Pistrino

The film is composed from thirtysecond long timelapse sequences filmed in Northwest Umbria Condensing days into seconds Hamlyn makes use of lap dissolves and timelapse photography to compress the temporal duration of the Italian landscape The film invokes some precinematic technologies mainly in the shadow plays where light and shadow manifest as the movement of trees clouds and other objects cast by the sun project and dance onto white walls and other surfaces emulating and interacting with the films grain