On Land Over Water Six Stories

In cinema one extracts the thought from the image in literature the image from the thought Levinson This reflection was the catalyst for the photographic and narrative strategies of On Land Over Water On Land Over Water was born out of an imagenotion of a skid mark on a highway photographed in closeup revealing texture and form The image would be positioned with a voiceover narration telling the story of a young boy witnessing a fatal auto accident and its ensuing aftermath Over the following winter months I meditated on the cinematic potentials of that notion On Land Over Water is the product of working out variations of that meditation In story discourse On Landexperiments with the possibilities of adopting the characteristics of the short story to the forms of cinema RK