Mosners Theorem

A mirror game between reality and fiction about the creative blocking of a troubled artist Ricardo Mosner exists but his character transcends the documentary world We also see musician Daniel Melingo the films director and costar transformed into a ghostly vagabond in the city The camera captures these specters roaming like images of a digital canvas There is wine loneliness parties and sunrises of bourgeois bohemians The film encrypts its indomitable value in exposing how you can paint an audiovisual picture under the influence of this centurys events and variations In the end the film is an act of combining brushes and colors with precision in order to depict a happy reunion in exile