Memosium

Memosium is composed like a concerto in three movements Camera body and space have their own tempo but all are played simultaneously From its shots and characters the story seems amnesic Events reiterate themselves infinitely We are in a time of repetition Thus all seems to start again stressed by the circular arrangement of space Prisoner of its own memory Moreover the acceleration and geometrical multiplication of movement the complexity of the characters activities their mathematical cutting and the infinite rearrangement of the body give the spectator a new awareness of time without set limits Only flight death can allow escape from this trap of time