Le Chant des signes

Le Chant des signes by YvesAndré Delubac makes an image reappear and multiply from the very word but with difficulty and after long black shots This short film which makes maximum use of the black screen could pass for an experimental film but it is not experimental in the sense that we give it It is a theoretical and rhetorical work on the difficult birth of an image that extracts itself from the black Nothing to do with Kubelka or Frampton Its a film that comes directly from what one could read in Cinéthique or Cahiers at the time This appearance of the image is like a Caesarean section from the text