K

K builds on the ideas and research explored ina previous work called SUNLIGHT 2013 which speeds chronologically through an historic archive of thousands of images of the sun takenfrom 18751945 Photographed in high temperature K light the images are presented as a staccato animation a feverishly ticking meter for a narrative told by a selfproclaimed troupe of professional mourners Price similarly revisits a series of photographs taken from hosiery packaging featuring young women in highly expressive stylized posesof fear dread or despair They are pictured shielding their eyes apparently from the camera andor the sun In K these women become the films central protagonists