Interpolations IV (1992)

The full 35millimeter frame allows for more detail and diversity than Brakhages customary narrower gauges In the first section multicolored blobs contrast with fuzzy photographed lights in the third flickering specks become hundreds of tiny rods and later cracks in paint Rhythmic complexity has long been a characteristic of Brakhages work but the series takes polyphony to new heights by creating different movements in different portions of the frame theres a sense of shapes being generated and reabsorbed in a cosmic vision of eternal change Fred Camper Chicago Reader