Don’t Miss Out! Sign Up for the Moviefone Newsletter Today.
Highlights
The Friend - Bill Murray Exclusive Interview
The Friend
Squid Game: Season 3 - Final Round Teaser Clip
Squid Game
Avatar: Fire and Ash - Official Poster Clip
Avatar: Fire and Ash
Frankenstein - Official Teaser Poster
Frankenstein
The Studio Season 1 - Seth Rogen in the New Episode Clip
The Studio
Barrio Triste - Maluma at the NYFF Screenings
Barrio Triste
Fountain of Youth - Teaser Clip
Fountain of Youth
Mercy - Official Poster
Mercy
The Toxic Avenger - Moviefone Line
The Toxic Avenger Unrated
Good Boy - Through the Graveyard
Good Boy
Stick Season 1 - Pool Party Prep Clip
Stick
Barrio Triste - Tainy, Stillz and Bad Bunny at the NYFF Screenings
Barrio Triste
Springsteen: Deliver Me from Nowhere - Official Teaser Clip
Springsteen: Deliver Me from Nowhere
I Can Only Imagine 2 - Milo Ventimiglia as Tim Timmons
I Can Only Imagine 2
Stranger Things Season 5 - The Original Party Teaser Clip
Stranger Things
Good Fortune - Sandra Oh at the New York Premiere
Good Fortune

I'm Going

I'm Going
NR 3 min
Embed MovieCopiedi
From 'The Workshop of the Film Form'. // In I'm Going Robakowski attempted an iconoclastic representation of the human body. He initiated a situation in which the materiality of film engaged in a dialogue with the materiality of the human body. Over the course of the film, the growing fatigue of the body carrying the film camera can be heard in the artist's voice and increasingly heavy breathing. The effect is that of the artist delving into his own materiality. The subject becomes merely a thing among things, a living fragment of the matter. With their attempt to shift the "film gaze" onto the machine (a non-anthropocentric point of perception of the world), Robakowski's Records most fully illustrate the antivoyeuristic ambitions of structuralist cinema, which aimed to subvert the traditional voyeuristic model.