Hot Dogs At The Met (2009)

Using the same stereoscopic animation technique of Jacobs recent works Capitalism Slavery 2006 and Nymph 2007 which he calls a vigorous 3D that can be seen without special spectacles and even by the oneeyed Hot Dogs at the Met is a computergenerated composition of strobing stereo snapshots from the 1970s Unlike his other cameraless works however Hot Dogs is diaristic subtly recalling 1960s Little Stabs at Happiness