Glass (2019)

There is a good film to be made about superheroes existing in the "real" world, and the phenomenon, or perhaps disorder, where ordinary people believe they possess extraordinary abilities. "Glass" is not that film, despite how seriously writer-director M. Night Shyamalan takes both of those ideas, and as always, himself.

An overlong, underdeveloped mash-up (or more charitably, payoff) of his brilliant "Unbreakable" and the pulpy "Split," Shyamalan tries to examine, and rekindle, the magic and intrigue of comic books in the pre-Marvel Cinematic Universe era.

But he spends so much time discussing, deconstructing and still somehow indulging their now-boilerplate storytelling conventions that the end result is a movie that feels even less tethered to reality than the ones that it so snobbishly looks down upon.