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If light is the protagonist of film the idea would not change if darkness replaces light Yoshimoto proves this point with most simplicity Placing a tiny point of ray in pitch black his darkness achieves a limitless depth This style goes under trial from around 1988 a squirming object in drowning darkness goes through a transition from a solid machinery part to a soft Japanese architectural fixture to a misty female figure Each of the objects a subject of fancy is placed in good balance mingling with Rei Harakamis sound effects This is one of Yoshimotos most intense works