Exponential Functions 154 (2015)

In Sodeokas Exponential Function 154 the exponents of oldschool graphic arts think Technicolor circular artifacts gradient TV static stripes rapidly unfurl as a moving quotable history of geometric shapes and colors Taking Wires 154 album cover artwork as an inspiration the recurring motif of a DNA double helix twist references ranging from the geometric abstraction of Bridget Riley Josef Albers and Frank Stella to the playful and irreverent British postpunk music packaging of Barney Bubbles and Peter Saville Ultimately its acid flashbacks from a specific pivotal continuum in visual culture processed through Sodeokas distinctive feedback complexity