Empire of Light (2022)

Though they were both swirling around their writer/directors’ minds before the pandemic struck, it’s hard not to see Steven Spielberg’s ‘The Fabelmans’ and Sam Mendes’ ‘Empire of Light’ partly as reactions to cinemas being closed during the long months that everyone was locked down. And while Spielberg took a semi-autobiographical approach to channel his love of watching (and making) movies, Mendes seems motivated more by the impact it can have on those who might need a boost.

And about troubled people finding each other.