Danseurs à la Gay Pride 2001

If it is films which reveal the choreographic fatality of cinematographic interventionDominique Paini this one henceforth very much belongsdance gestures in slow motion distorted halted impregnate the film procession in a commentarymagnificentby its own unfolding back and forth In the tradition of the great Adebar Peter Kubelka 1957 Danseurs à la Gay Pride 2001 probe the origins of cinematographic movement from a photogrammatical treatment based on the ecstatic effect that the repetition of a movement procures hands faces hips shown in slow motion