Dancing in the Street 11 grados de separación

After having shared a common experience in Cuba twelve filmmakers say goodbye to return to their countries and make a pact to make a collective film that answers the questions what does it mean to plagiarize images and how to do it in the distance The mechanism is unusual a director makes a short and sends it to the next director who in turn makes his own short for the purpose of plagiarizing the one he received And so the chain of plagiarism continues until it reaches the last one Each one interprets in their own way what it means to plagiarize the received film The first link in the chain is James Benning one of the worlds most patient filmmakers His extensive plans are replicated in the following fragments Disobedience moves the exercise away from literality and an exploration of the texture of the images begins In its repetitive mechanism we can see that cinema is in addition to record of reality an art of images and sound Santiago González Cragnolino