Como el Uruguay no hay

Early on Ugo Ulive with his short film Como el Uruguay no hay 1960 seeks to raise awareness and involve the viewer in political action and its radical transformation Through a collage of animations archival footage and a counterpoint sound montage Ulive attacks traditional leftwing and rightwing politics and exposes the contradictions of a pillar of national identity Uruguays famous democracy Note that we are in 1960 and while the voice over presents Montevideo as a small agitated city the images show a tense scenario with social protests and a politicized urban space with the presence of mounted police