Cesena

For Cesena Anne Teresa De Keersmaeker and Rosas worked closely with Björn Schmelzer and his graindelavoix ensemble This new production might almost be called the counterpart to its predecessor En Atendant Whereas in that piece the twilight merged almost imperceptibly into night this piece heralds the start of the day The stage is shared by 19 dancers and singers who explore the limits of their ability Dancers sing and singers dance once again in dialogue with the wilful 14thcentury scores of the Ars Subtilior For the third time Ann Veronica Janssens has collaborated with Rosas for a set design providing a sculpture of passing time of the constant transformation of what is around us and of what only becomes visible in the course of time The start of a new day or a new look at a distant past