Neapolitan Songs

A mixture of abstract images and as if out of a Man Ray painting a large mouth in the foreground with red lipstick slowly devours a raw liver and then goes on to eat a postcard Meanwhile romantic Neapolitan songs play in the background As Andrea Giunta says At the same time they function as a hyperbole of the feminine in a register impregnated with pop aesthetics they are perfect lips and makeup but in which the flesh introduces an element of deep transgression with scatological tensions