Autumn (1994)

Aitken wanted to create three music videos each with their own narrative to be aired separately at different times as part of his commercial production The resulting video shown in galleries fuses together the three separate narratives in a nonlinear fashion Located on the precipice between the oftthought mutually exclusive realms of art and entertainment Autumn stands as an emblematic example of Aitkens video practice investigating the cultural numbness generated by the flow of media images