Aloha

Tabu a mythical tale shot in Tahiti is yet another key to Ottingers cinema Aloha is a dedication to Murnau as well as Gauguin Matisse and her other predecessors whose hearts and eyes had been enchanted by foreign cultures By juxtaposing footage and outtakes from Tabu with scenes from her own films the director creates a dialogue between fictional universes separated by time and space A fish is caught by islanders in 1931 and eaten by pirates in Madame X forty years later What is this film if not an ironic commentary on artistic legacy and succession