A Crowd

Using an assemblage of illustrated images Yeonu Ju explores mass gatherings in her tripartite work A Crowd The first part Belief considers crowds gathered at concerts and sporting events In Crossroads people teem the city streets Finally Dinosaur presents us with the eventuality of humanity en masse image upon image of waste The pixelated images go in and out of focus their unsettling instability echoing the inherent fickleness of crowds themselves