Thunderbolts - Florence Pugh’s Yelena Belova Returns
Thunderbolts*
Snow White - Merry Princess Magic
Snow White
Conclave - Wins the SAG Award for Outstanding Performance by a Cast in a Motion Picture
Conclave
Thunderbolts - First Team Look at Florence Pugh, Sebastian Stan, and David Harbour in Action
Thunderbolts*
Thunderbolts - Sebastian Stan’s Bucky Barnes Suits Up for an Undercover Mission
Thunderbolts*
Daredevil: Born Again - First Look at Matt Murdock and Karen Page's Reunion
Daredevil: Born Again
Thunderbolts - Julia Louis-Dreyfus' Contessa Valentina First Look
Thunderbolts*
A Real Pain - Kiernan Culkin Wins SAG Award for Male Actor in a Supporting Role
A Real Pain
Daredevil: Born Again - First Look at Nelson, Murdock, and Page Reunited
Daredevil: Born Again
Snow White - Once Upon A Time | Digital Sneak Peek
Snow White
Thunderbolts - Florence Pugh Stands on the Edge in This Intense First Look
Thunderbolts*
The Alto Knights - First Look at Robert De Niro as Frank Costello
The Alto Knights
Daredevil: Born Again - First Look at Charlie Cox Suited Up as the Devil of Hell’s Kitchen
Daredevil: Born Again
Thunderbolts - David Harbour's Red Guardian and Florence Pugh’s Yelena Team Up
Thunderbolts*
Daredevil: Born Again - First Look at Wilson Fisk’s Return to Power
Daredevil: Born Again
Snow White - Adventure Awaits
Snow White

Luigi Magni

Luigi Magni
Born in March 21st, 1928From Roma

Luigi Magni Biography

Luigi Magni (21 March 1928 – 27 October 2013) was an Italian screenwriter and film director. Born in Rome , Italy, Magni started his career as a screenwriter, in 1956, with Tempo di villeggiatura. In 1968 he collaborated with Mario Monicelli in creating a real "event" of the Italian cinema by transforming Monica Vitti into a comedic actress with The Girl with the Pistol , and the critical and commercial success of the film pushed him into directing.

After the directorial debut with Faustina (which was also the debut film of Vonetta McGee ), in 1969 Magni achieved an extraordinary success with Nell'anno del Signore , which was the highest-grossing Italian film of the year, so as to require for the first time in Italy nighttime screenings to meet the demands of the audience. The film marked the encounter with Nino Manfredi , with whom Magni had a long-standing association on the set (including the screenplay of Manfredi's award-winning film Per Grazia Ricevuta ) and a close friendship off the set.

The film also defined Magni's style, namely a commedia all'italiana mainly centered on Rome and its history, particularly the epoch between the Papal States and the Risorgimento.

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Luigi Magni Movies

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